Live a western adventure


Types of Western movies

A genre in which description and dialogue areRevisionist  Westerns
lean, and the landscape spectacular, is well
suited to film. Early Westerns were mostly'Revisionist' is a term used in genre studies
filmed in the studio like other earlyto describe films that change traditional
Hollywood movies, but when location shootingelements  of  a  genre.
became more common, producers of Westerns
used desolate corners of New Mexico,After the early 1960s, many American
California, Arizona, Utah, Nevada, Kansas,film-makers began to question and change many
Texas, Colorado or Wyoming, often making thetraditional elements of westerns. One major
landscape not just a vivid backdrop, but achange was in the increasingly positive
character in the movie. Productions were alsorepresentation of Native Americans who had
filmed  on  location  at  movie  ranches.been treated as "savages" in earlier films.
Audiences began to question the simple
The Western genre itself has sub-genres, suchhero-versus-villain dualism and the morality
as the epic Western, the shoot 'em up,of using violence to test one's character or
singing cowboy Westerns, and a few comedyto prove oneself right. Some recent Westerns
westerns. The Western re-invented itself ingive  women  more  powerful  roles.
the  revisionist  Western.
Contemporary  Westerns
Cowboys and gunslingers play prominent roles
in Western movies. Often fights with NativeContemporary Westerns, as the name implies,
Americans are depicted. In early Westerns,are films that have contemporary American
the "Injuns" are frequently portrayed assettings but nevertheless utilise Old West
dishonorable villains; however, manythemes and motifs (a rebellious antihero,
"revisionist" Westerns give the natives moreopen plains and landscapes, climactic
sympathetic treatment. Other recurring themesgunfights, etc.). For the most part, they
of westerns include western treks and groupsstill take place in the American West and
of bandits terrorising small towns such as inreveal the progression of the Old West
The  Magnificent  Seven.mentality into the late twentieth century.
Examples include Sam Peckinpah's Bring Me the
The  Classical  Western  filmHead of Alfredo Garcia (1974), John Sayles'
Lone Star (1996), Jim Jarmusch's Dead Man
The western film traces its roots back to(1996), Michael Winterbottom's The Claim
1903's The Great Train Robbery, a silent film(2000), Robert Rodríguez's Once Upon a
directed by Edwin S. Porter and starringTime in Mexico (2003), Tommy Lee Jones' The
Broncho Billy Anderson. The film's popularityThree Burials of Melquiades Estrada (2005),
opened the door for Anderson to become theAng Lee's Brokeback Mountain (2005) and Wim
screen's first cowboy star, making severalWenders'  Don't  Come  Knocking  (2005).
hundred Western movie shorts. So popular was
the genre that he soon had competition in theGenre  studies  and  Westerns
form  of  William  S.  Hart.
In the 1960s academic and critical attention
In the United States, the western has had anto cinema as a legitimate art form emerged.
extremely rich history that spans many genresWith the increased attention, film theory was
(comedy, drama, tragedy, parody, musical,developed to attempt to understand the
science fiction, etc.). The golden age of thesignificance of film. From this environment
western film is epitomised by the work of twoemerged (in conjunction with the literary
directors: John Ford (who often used Johnmovement) an enclave of critical studies
Wayne  for  lead  roles)  and  Howard  Hawks.called genre studies. This was primarily a
semantic and structuralist approach to
Spaghetti  Westernsunderstanding how similar films convey
meaning. Long derided for its simplistic
During the 1960s and 1970s, a revival of themorality, the western film genre came to be
Western emerged in Italy with the "Spaghettiseen instead as a series of conventions and
Westerns" or "Italo-Westerns". Many of thesecodes that acted as a short-hand
films are low-budget affairs, shot incommunication methods with the audience. For
locations (for example, the Spanish desertexample, a white hat represents the good guy,
region of Almería) chosen for theira black hat represents the bad guy; two
inexpensive crew and production costs as wellpeople facing each other on a deserted street
as their similarity to landscapes of theleads to the expectation of a showdown;
Southwestern United States. Spaghetticattlemen are loners, townsfolk are family
Westerns were characterised by the presenceand community minded, etc. All western films
of more action and violence than thecan be read as a series of codes and the
Hollywood  westerns.variations  on  those  codes.
But the best of the genre, notably the filmsSince the 1970s, the western genre has been
directed by Sergio Leone, have a parodicunraveled through a series of films that used
dimension (the strange opening scene of Oncethe codes but primarily as a way of
Upon a Time in the West being a reversal ofundermining them (Little Big Man and Maverick
Fred Zinnemann's High Noon opening scene)did this through comedy). Kevin Costner's
which gave them a different tone to theDances with Wolves actually resurrects all
Hollywood westerns. Charles Bronson, Lee vanthe original codes and conventions but
Cleef and Clint Eastwood became famous by"reverses the polarities" (the Native
starring in Spaghetti Westerns, although theyAmericans are good, the U.S. Cavalry is bad).
were also to provide a showcase for otherClint Eastwood's Unforgiven uses every one of
noted actors such as Jason Robards, Jamesthe original conventions, only reverses the
Coburn,  Klaus  Kinski  and  Henry  Fonda.outcomes (instead of dying bravely or
stoically, characters whine, cry, and beg;
Osterninstead of a good guy saving the day,
irredeemable characters execute revenge;
Westerns from the United States were popularetc.).
in Communist countries, and were a particular
favorite of Joseph Stalin. An entire genre ofOne of the results of genre studies is that
"Red Western" or "Ostern" films developed insome have argued that "Westerns" need not
Eastern Europe. These films usually portrayedtake place in the American West or even in
the American Indians sympathetically, asthe 19th Century, as the codes can be found
oppressed people fighting for their rights,in other types of movies. For example, a very
in contrast to American westerns of the time,typical Western plot is that an eastern
which frequently portrayed the Indians aslawman heads west, where he matches wits and
villains. They frequently featuredtrades bullets with a gang of outlaws and
Yugoslavians or Turkic people in the role ofthugs, and is aided by a local lawman who is
the Indians, due to the shortage of authenticwell-meaning but largely ineffective until a
Indians  in  Eastern  Europe.critical moment when he redeems himself by
saving the hero's life. This description can
Gojko Mitić is famous for his portrayalsbe used to describe any number of Westerns,
of righteous, kindhearted and charming Indianas well as the action film Die Hard. Hud,
chiefs ("Die Söhne der großen Bärin"starring Paul Newman, and Akira Kurosawa's
directed by Josef Mach). He became honorarySeven Samurai, are other frequently cited
chief of the tribe of Sioux when he visitedexamples of movies that don't take place in
the United States of America in the 90s andthe American West but have many themes and
the television crew accompanying him showedcharacteristics common to Westerns. Likewise,
the tribe one his movies. American actor andit has been pointed out that films set in the
singer Dean Reed, an expatriate who lived inold American West may not necessarily be
East  Germany, also starred in several films.considered "Westerns."



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